mlsanityData to 7 Oct 2026

A Data Set and a Convolutional Model for Iconography Classification in Paintings

arXiv 2010.11697 ↗First posted 6 Oct 2020cs.CV cs.LGcited by 17

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Abstract (arXiv)

Iconography in art is the discipline that studies the visual content of artworks to determine their motifs and themes andto characterize the way these are represented. It is a subject of active research for a variety of purposes, including the interpretation of meaning, the investigation of the origin and diffusion in time and space of representations, and the study of influences across artists and art works. With the proliferation of digital archives of art images, the possibility arises of applying Computer Vision techniques to the analysis of art images at an unprecedented scale, which may support iconography research and education. In this paper we introduce a novel paintings data set for iconography classification and present the quantitativeand qualitative results of applying a Convolutional Neural Network (CNN) classifier to the recognition of the iconography of artworks. The proposed classifier achieves good performances (71.17% Precision, 70.89% Recall, 70.25% F1-Score and 72.73% Average Precision) in the task of identifying saints in Christian religious paintings, a task made difficult by the presence of classes with very similar visual features. Qualitative analysis of the results shows that the CNN focuses on the traditional iconic motifs that characterize the representation of each saint and exploits such hints to attain correct identification. The ultimate goal of our work is to enable the automatic extraction, decomposition, and comparison of iconography elements to support iconographic studies and automatic art work annotation.

Key facts. Cited by 17 papers in the map (data through 7 Oct 2026). First posted on arXiv 6 Oct 2020.

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Citing papers per year: 2021: 2; 2022: 3; 2023: 2; 2024: 3; 2025: 3; 2026: 4.

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  1. 2021Understanding and Creating Art with AI: Review and Outlookcited by 60
  2. 2023Diffusion Based Augmentation for Captioning and Retrieval in Cultural Heritagecited by 12
  3. 2022DEArt: Dataset of European Artcited by 9
  4. 2023Poses of People in Art: A Data Set for Human Pose Estimation in Digital Art Historycited by 6
  5. 2022How Well Do Vision Transformers (VTs) Transfer To The Non-Natural Image Domain? An Empirical Study Involving Art Classificationcited by 3
  6. 2024Context-Infused Visual Grounding for Artcited by 2
  7. 2024Stylistic Multi-Task Analysis of Ukiyo-e Woodblock Printscited by 2
  8. 2025Benchmarking Vision-Language and Multimodal Large Language Models in Zero-shot and Few-shot Scenarios: A study on Christian Iconographycited by 2
  9. 2026On the Explainability of Vision-Language Models in Art Historycited by 2
  10. 2022Black-box Error Diagnosis in Deep Neural Networks for Computer Vision: a Survey of Toolscited by 1
  11. 2026Iconographic Classification and Content-Based Recommendation for Digitized Artworkscited by 1
  12. 2021Using Convolutional Neural Networks for the Helicity Classification of Magnetic Fieldscited by 0
5 more
  1. 2024FolkTalent: Enhancing Classification and Tagging of Indian Folk Paintingscited by 0
  2. 2025Large-image Object Detection for Fine-grained Recognition of Punches Patterns in Medieval Panel Paintingcited by 0
  3. 2025Automating Iconclass: LLMs and RAG for Large-Scale Classification of Religious Woodcutscited by 0
  4. 2026MinhwaNet: Faithful but Insufficient Object Grounding in Korean Folk Paintingcited by 0
  5. 2026Understanding How MLLMs Describe Artworks Using Token Activation Mapscited by 0