Computational appraisal of gender representativeness in popular movies
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Abstract (arXiv)
Gender representation in mass media has long been mainly studied by qualitatively analyzing content. This article illustrates how automated computational methods may be used in this context to scale up such empirical observations and increase their resolution and significance. We specifically apply a face and gender detection algorithm on a broad set of popular movies spanning more than three decades to carry out a large-scale appraisal of the on-screen presence of women and men. Beyond the confirmation of a strong under-representation of women, we exhibit a clear temporal trend towards a fairer representativeness. We further contrast our findings with respect to movie genre, budget, and various audience-related features such as movie gross and user ratings. We lastly propose a fine description of significant asymmetries in the mise-en-sc`ene and mise-en-cadre of characters in relation to their gender and the spatial composition of a given frame.
Key facts. Cited by 3 papers in the map (data through 7 Oct 2026). First posted on arXiv 16 Sep 2020.
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Citing papers per year: 2024: 1; 2025: 2.
3 papers.
- 2024Visual Objectification in Films: Towards a New AI Task for Video Interpretationcited by 4
- 2025MObyGaze: a film dataset of multimodal objectification densely annotated by expertscited by 1
- 2025Analyzing Character Representation in Media Content using Multimodal Foundation Model: Effectiveness and Trustcited by 0
- 2025Analyzing Character Representation in Media Content using Multimodal Foundation Model: Effectiveness and Trust2 Jun 2025
- 2025MObyGaze: a film dataset of multimodal objectification densely annotated by experts28 May 2025
- 2024Visual Objectification in Films: Towards a New AI Task for Video Interpretation24 Jan 2024