Zero-shot Learning for Audio-based Music Classification and Tagging
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Abstract (arXiv)
Audio-based music classification and tagging is typically based on categorical supervised learning with a fixed set of labels. This intrinsically cannot handle unseen labels such as newly added music genres or semantic words that users arbitrarily choose for music retrieval. Zero-shot learning can address this problem by leveraging an additional semantic space of labels where side information about the labels is used to unveil the relationship between each other. In this work, we investigate the zero-shot learning in the music domain and organize two different setups of side information. One is using human-labeled attribute information based on Free Music Archive and OpenMIC-2018 datasets. The other is using general word semantic information based on Million Song Dataset and Last.fm tag annotations. Considering a music track is usually multi-labeled in music classification and tagging datasets, we also propose a data split scheme and associated evaluation settings for the multi-label zero-shot learning. Finally, we report experimental results and discuss the effectiveness and new possibilities of zero-shot learning in the music domain.
Key facts. Cited by 13 papers in the map (data through 14 Oct 2026). First posted on arXiv 5 Jul 2019.
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Citing papers per year: 2021: 1; 2022: 4; 2023: 3; 2024: 4; 2025: 0; 2026: 1.
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- 2022Contrastive Audio-Language Learning for Musiccited by 33
- 2022Audio-visual Generalised Zero-shot Learning with Cross-modal Attention and Languagecited by 27
- 2023MuseChat: A Conversational Music Recommendation System for Videoscited by 21
- 2023Language-Guided Music Recommendation for Video via Prompt Analogiescited by 18
- 2021Test-Time Adaptation Toward Personalized Speech Enhancement: Zero-Shot Learning with Knowledge Distillationcited by 10
- 2024I can listen but cannot read: An evaluation of two-tower multimodal systems for instrument recognitioncited by 4
- 2022Improved Zero-Shot Audio Tagging & Classification with Patchout Spectrogram Transformerscited by 2
- 2024Multi-label Zero-Shot Audio Classification with Temporal Attentioncited by 2
- 2024PIAST: A Multimodal Piano Dataset with Audio, Symbolic and Textcited by 2
- 2023MDSC: Towards Evaluating the Style Consistency Between Music and Dancecited by 1
- 2024On Class Separability Pitfalls In Audio-Text Contrastive Zero-Shot Learningcited by 1
- 2022MATT: A Multiple-instance Attention Mechanism for Long-tail Music Genre Classificationcited by 0
1 more
- 2026Extending Music Annotation Schemas: Zero-Shot Prediction or Few-Shot Adaptation?2 Oct 2026
- 2024PIAST: A Multimodal Piano Dataset with Audio, Symbolic and Text4 Nov 2024
- 2024Multi-label Zero-Shot Audio Classification with Temporal Attention31 Aug 2024
- 2024On Class Separability Pitfalls In Audio-Text Contrastive Zero-Shot Learning23 Aug 2024
- 2024I can listen but cannot read: An evaluation of two-tower multimodal systems for instrument recognition25 Jul 2024
- 2023MuseChat: A Conversational Music Recommendation System for Videos10 Oct 2023
- 2023MDSC: Towards Evaluating the Style Consistency Between Music and Dance4 Sep 2023
- 2023Language-Guided Music Recommendation for Video via Prompt Analogies15 Jun 2023
- 2022MATT: A Multiple-instance Attention Mechanism for Long-tail Music Genre Classification9 Sep 2022
- 2022Contrastive Audio-Language Learning for Music25 Aug 2022
- 2022Improved Zero-Shot Audio Tagging & Classification with Patchout Spectrogram Transformers24 Aug 2022
- 2022Audio-visual Generalised Zero-shot Learning with Cross-modal Attention and Language7 Mar 2022
- 2022Contrastive Audio-Language Learning for Musiccited by 33
- 2022Audio-visual Generalised Zero-shot Learning with Cross-modal Attention and Languagecited by 27
- 2023MuseChat: A Conversational Music Recommendation System for Videoscited by 21
- 2023Language-Guided Music Recommendation for Video via Prompt Analogiescited by 18
- 2024I can listen but cannot read: An evaluation of two-tower multimodal systems for instrument recognitioncited by 4
- 2022Improved Zero-Shot Audio Tagging & Classification with Patchout Spectrogram Transformerscited by 2
- 2024Multi-label Zero-Shot Audio Classification with Temporal Attentioncited by 2
- 2024PIAST: A Multimodal Piano Dataset with Audio, Symbolic and Textcited by 2
- 2023MDSC: Towards Evaluating the Style Consistency Between Music and Dancecited by 1
- 2024On Class Separability Pitfalls In Audio-Text Contrastive Zero-Shot Learningcited by 1
- 2022MATT: A Multiple-instance Attention Mechanism for Long-tail Music Genre Classificationcited by 0
- 2026Extending Music Annotation Schemas: Zero-Shot Prediction or Few-Shot Adaptation?cited by 0
- 2026Extending Music Annotation Schemas: Zero-Shot Prediction or Few-Shot Adaptation?2 Oct 2026
- 2024PIAST: A Multimodal Piano Dataset with Audio, Symbolic and Text4 Nov 2024
- 2024Multi-label Zero-Shot Audio Classification with Temporal Attention31 Aug 2024
- 2024On Class Separability Pitfalls In Audio-Text Contrastive Zero-Shot Learning23 Aug 2024
- 2024I can listen but cannot read: An evaluation of two-tower multimodal systems for instrument recognition25 Jul 2024
- 2023MuseChat: A Conversational Music Recommendation System for Videos10 Oct 2023
- 2023MDSC: Towards Evaluating the Style Consistency Between Music and Dance4 Sep 2023
- 2023Language-Guided Music Recommendation for Video via Prompt Analogies15 Jun 2023
- 2022MATT: A Multiple-instance Attention Mechanism for Long-tail Music Genre Classification9 Sep 2022
- 2022Contrastive Audio-Language Learning for Music25 Aug 2022
- 2022Improved Zero-Shot Audio Tagging & Classification with Patchout Spectrogram Transformers24 Aug 2022
- 2022Audio-visual Generalised Zero-shot Learning with Cross-modal Attention and Language7 Mar 2022