The GTZAN dataset: Its contents, its faults, their effects on evaluation, and its future use
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Abstract (arXiv)
The GTZAN dataset appears in at least 100 published works, and is the most-used public dataset for evaluation in machine listening research for music genre recognition (MGR). Our recent work, however, shows GTZAN has several faults (repetitions, mislabelings, and distortions), which challenge the interpretability of any result derived using it. In this article, we disprove the claims that all MGR systems are affected in the same ways by these faults, and that the performances of MGR systems in GTZAN are still meaningfully comparable since they all face the same faults. We identify and analyze the contents of GTZAN, and provide a catalog of its faults. We review how GTZAN has been used in MGR research, and find few indications that its faults have been known and considered. Finally, we rigorously study the effects of its faults on evaluating five different MGR systems. The lesson is not to banish GTZAN, but to use it with consideration of its contents.
Key facts. Cited by 11 papers in the map (data through 7 Oct 2026). First posted on arXiv 6 Jun 2013.
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Citing papers per year: 2021: 1; 2022: 0; 2023: 3; 2024: 2; 2025: 4; 2026: 1.
11 papers.
- 2023DISCO-10M: A Large-Scale Music Datasetcited by 13
- 2025JavisGPT: A Unified Multi-modal LLM for Sounding-Video Comprehension and Generationcited by 12
- 2023WikiMuTe: A web-sourced dataset of semantic descriptions for music audiocited by 3
- 2023Data leakage in cross-modal retrieval training: A case studycited by 1
- 2025On the de-duplication of the Lakh MIDI datasetcited by 1
- 2026Continuous Audio Thinking for Large Audio Language Modelscited by 1
- 2021MuSLCAT: Multi-Scale Multi-Level Convolutional Attention Transformer for Discriminative Music Modeling on Raw Waveformscited by 0
- 2024The Effect of Perceptual Metrics on Music Representation Learning for Genre Classificationcited by 0
- 2024A quest through interconnected datasets: lessons from highly-cited ICASSP paperscited by 0
- 2025Style-based Composer Identification and Attribution of Symbolic Music Scores: a Systematic Surveycited by 0
- 2025"I made this (sort of)": Negotiating authorship, confronting fraudulence, and exploring new musical spaces with prompt-based AI music generationcited by 0
- 2026Continuous Audio Thinking for Large Audio Language Models5 Jun 2026
- 2025JavisGPT: A Unified Multi-modal LLM for Sounding-Video Comprehension and Generation28 Dec 2025
- 2025On the de-duplication of the Lakh MIDI dataset20 Sep 2025
- 2025"I made this (sort of)": Negotiating authorship, confronting fraudulence, and exploring new musical spaces with prompt-based AI music generation31 Jul 2025
- 2025Style-based Composer Identification and Attribution of Symbolic Music Scores: a Systematic Survey14 Jun 2025
- 2024The Effect of Perceptual Metrics on Music Representation Learning for Genre Classification25 Sep 2024
- 2024A quest through interconnected datasets: lessons from highly-cited ICASSP papers19 Sep 2024
- 2023WikiMuTe: A web-sourced dataset of semantic descriptions for music audio14 Dec 2023
- 2023DISCO-10M: A Large-Scale Music Dataset23 Jun 2023
- 2023Data leakage in cross-modal retrieval training: A case study23 Feb 2023
- 2021MuSLCAT: Multi-Scale Multi-Level Convolutional Attention Transformer for Discriminative Music Modeling on Raw Waveforms6 Apr 2021