# TAD: Token-Adaptive Contrastive Decoding with Confidence-Guided Gating for Hallucination Mitigation in Large Audio-Language Models

arXiv: https://arxiv.org/abs/2609.07286 · HTML: https://mlsanity.com/paper/2609.07286/

## Key facts

- Cited by 1 papers in the map (data through 14 Oct 2026).
- Builds on 20 of its 25 references that are in the map.
- First posted on arXiv 7 Sep 2026.

## Builds on (most cited first, 20 of 20)

- [Finetuned Language Models Are Zero-Shot Learners](https://mlsanity.com/paper/2109.01652/) (2021)
- [Gemma 3 Technical Report](https://mlsanity.com/paper/2503.19786/) (2025)
- [Qwen2.5-Omni Technical Report](https://mlsanity.com/paper/2503.20215/) (2025)
- [Mitigating Object Hallucinations in Large Vision-Language Models through Visual Contrastive Decoding](https://mlsanity.com/paper/2311.16922/) (2023)
- [Contrastive Decoding: Open-ended Text Generation as Optimization](https://mlsanity.com/paper/2210.15097/) (2022)
- [Qwen2-Audio Technical Report](https://mlsanity.com/paper/2407.10759/) (2024)
- [Audio Flamingo 3: Advancing Audio Intelligence with Fully Open Large Audio Language Models](https://mlsanity.com/paper/2507.08128/) (2025)
- [HALC: Object Hallucination Reduction via Adaptive Focal-Contrast Decoding](https://mlsanity.com/paper/2403.00425/) (2024)
- [Step-Audio 2 Technical Report](https://mlsanity.com/paper/2507.16632/) (2025)
- [A Comprehensive Survey of Hallucination in Large Language, Image, Video and Audio Foundation Models](https://mlsanity.com/paper/2405.09589/) (2024)
- [Clotho-AQA: A Crowdsourced Dataset for Audio Question Answering](https://mlsanity.com/paper/2204.09634/) (2022)
- [Multi-Object Hallucination in Vision-Language Models](https://mlsanity.com/paper/2407.06192/) (2024)
- [Omni-R1: Do You Really Need Audio to Fine-Tune Your Audio LLM?](https://mlsanity.com/paper/2505.09439/) (2025)
- [Understanding Sounds, Missing the Questions: The Challenge of Object Hallucination in Large Audio-Language Models](https://mlsanity.com/paper/2406.08402/) (2024)
- [AVCD: Mitigating Hallucinations in Audio-Visual Large Language Models through Contrastive Decoding](https://mlsanity.com/paper/2505.20862/) (2025)
- [Reducing Object Hallucination in Large Audio-Language Models via Audio-Aware Decoding](https://mlsanity.com/paper/2506.07233/) (2025)
- [On the Audio Hallucinations in Large Audio-Video Language Models](https://mlsanity.com/paper/2401.09774/) (2024)
- [SLAM-AAC: Enhancing Audio Captioning with Paraphrasing Augmentation and CLAP-Refine through LLMs](https://mlsanity.com/paper/2410.09503/) (2024)
- [Teaching Audio-Aware Large Language Models What Does Not Hear: Mitigating Hallucinations through Synthesized Negative Samples](https://mlsanity.com/paper/2505.14518/) (2025)
- [Towards Generating Diverse Audio Captions via Adversarial Training](https://mlsanity.com/paper/2212.02033/) (2022)

## Built on by (most cited first, 1 of 1)

- [Does Location Matter? A Black-Box Causal Audit Reveals Model-Dependent Audio Grounding in LALM Hallucination](https://mlsanity.com/paper/2610.13112/) (2026)

## Abstract (arXiv)

Large audio-language models (LALMs) can hallucinate audio objects, answering "yes" to absent sound events, thus undermining reliability in audio question answering. We propose Token-Adaptive Decoding (TAD), a training-free strategy for hallucination mitigation that grounds the initial yes/no decision by contrasting logits under real audio with a matched silent reference. TAD introduces a token-adaptive, confidence-guided gate that is decision-critical at the first decoding step and class-conditional on affirmative tokens, using the audio-silent margin to avoid overcorrection when evidence is weak or already sufficient. Experiments on AudioCaps-Hallucination show that, relative to Audio-Aware Decoding (AAD), a contrastive baseline with fixed contrast strength, TAD improves F1 for Qwen2 by 0.059 to 0.117 across Popular, Adversarial, and Random splits, and for Gemma by 0.025 to 0.064, while on Clotho-AQA it raises F1 from 0.810 to 0.816 on Qwen2 and remains comparable to AAD on Gemma.
