# Culture-Aware Humorous Captioning: Multimodal Humor Generation across Cultural Contexts

arXiv: https://arxiv.org/abs/2604.18091 · HTML: https://mlsanity.com/paper/2604.18091/

## Key facts

- No citing papers in the map yet (data through 14 Oct 2026).
- Placed in Image editing and quality assessment, one of 16 directions in Multimodal LLMs / vision-language models.
- Builds on 64 of its 75 references that are in the map.
- First posted on arXiv 20 Apr 2026.

## Placed in

- Multimodal LLMs / vision-language models / [Image editing and quality assessment](https://mlsanity.com/mllm/image-editing-and-quality-assessment/)

## Builds on (most cited first, 30 of 64)

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- [CapArena: Benchmarking and Analyzing Detailed Image Captioning in the LLM Era](https://mlsanity.com/paper/2503.12329/) (2025)

## Abstract (arXiv)

Recent multimodal large language models have shown promising ability in generating humorous captions for images, yet they still lack stable control over explicit cultural context, making it difficult to jointly maintain image relevance, contextual appropriateness, and humor quality under a specified cultural background. To address this limitation, we introduce a new multimodal generation task, culture-aware humorous captioning, which requires a model to generate a humorous caption conditioned on both an input image and a target cultural context. Captions generated under different cultural contexts are not expected to share the same surface form, but should remain grounded in similar visual situations or humorous rationales.To support this task, we establish a six-dimensional evaluation framework covering image relevance, contextual fit, semantic richness, reasonableness, humor, and creativity. We further propose a staged alignment framework that first initializes the model with high-resource supervision under the Western cultural context, then performs multi-dimensional preference alignment via judge-based GRPO with a Degradation-aware Prototype Repulsion Constraint to mitigate reward hacking in open-ended generation, and finally adapts the model to the Eastern cultural context with a small amount of supervision. Experimental results show that our method achieves stronger overall performance under the proposed evaluation framework, with particularly large gains in contextual fit and a better balance between image relevance and humor under cultural constraints.
