# Ethology of Latent Spaces

arXiv: https://arxiv.org/abs/2602.05710 · HTML: https://mlsanity.com/paper/2602.05710/

## Key facts

- No citing papers in the map yet (data through 14 Oct 2026).
- Placed in VLM benchmarks and visual reasoning, one of 16 directions in Multimodal LLMs / vision-language models.
- Builds on 2 of its 3 references that are in the map.
- First posted on arXiv 5 Feb 2026.

## Placed in

- Multimodal LLMs / vision-language models / [VLM benchmarks and visual reasoning](https://mlsanity.com/mllm/vlm-benchmarks-and-visual-reasoning/)

## Builds on (most cited first, 2 of 2)

- [On the Opportunities and Risks of Foundation Models](https://mlsanity.com/paper/2108.07258/) (2021)
- [Multimodal datasets: misogyny, pornography, and malignant stereotypes](https://mlsanity.com/paper/2110.01963/) (2021)

## Abstract (arXiv)

This study challenges the presumed neutrality of latent spaces in vision language models (VLMs) by adopting an ethological perspective on their algorithmic behaviors. Rather than constituting spaces of homogeneous indeterminacy, latent spaces exhibit model-specific algorithmic sensitivities, understood as differential regimes of perceptual salience shaped by training data and architectural choices. Through a comparative analysis of three models (OpenAI CLIP, OpenCLIP LAION, SigLIP) applied to a corpus of 301 artworks (15th to 20th), we reveal substantial divergences in the attribution of political and cultural categories. Using bipolar semantic axes derived from vector analogies (Mikolov et al., 2013), we show that SigLIP classifies 59.4% of the artworks as politically engaged, compared to only 4% for OpenCLIP. African masks receive the highest political scores in SigLIP while remaining apolitical in OpenAI CLIP. On an aesthetic colonial axis, inter-model discrepancies reach 72.6 percentage points. We introduce three operational concepts: computational latent politicization, describing the emergence of political categories without intentional encoding; emergent bias, irreducible to statistical or normative bias and detectable only through contrastive analysis; and three algorithmic scopic regimes: entropic (LAION), institutional (OpenAI), and semiotic (SigLIP), which structure distinct modes of visibility. Drawing on Foucault's notion of the archive, Jameson's ideologeme, and Simondon's theory of individuation, we argue that training datasets function as quasi-archives whose discursive formations crystallize within latent space. This work contributes to a critical reassessment of the conditions under which VLMs are applied to digital art history and calls for methodologies that integrate learning architectures into any delegation of cultural interpretation to algorithmic agents.