# Spotlight-TTS: Spotlighting the Style via Voiced-Aware Style Extraction and Style Direction Adjustment for Expressive Text-to-Speech

arXiv: https://arxiv.org/abs/2505.20868 · HTML: https://mlsanity.com/paper/2505.20868/

## Key facts

- Cited by 1 papers in the map (data through 14 Oct 2026).
- Builds on 22 of its 31 references that are in the map.
- First posted on arXiv 27 May 2025.

## Builds on (most cited first, 22 of 22)

- [Attention Is All You Need](https://mlsanity.com/paper/1706.03762/) (2017)
- [Neural Discrete Representation Learning](https://mlsanity.com/paper/1711.00937/) (2017)
- [Robust Speech Recognition via Large-Scale Weak Supervision](https://mlsanity.com/paper/2212.04356/) (2022)
- [A ConvNet for the 2020s](https://mlsanity.com/paper/2201.03545/) (2022)
- [Gaussian Error Linear Units (GELUs)](https://mlsanity.com/paper/1606.08415/) (2016)
- [Estimating or Propagating Gradients Through Stochastic Neurons for Conditional Computation](https://mlsanity.com/paper/1308.3432/) (2013)
- [WavLM: Large-Scale Self-Supervised Pre-Training for Full Stack Speech Processing](https://mlsanity.com/paper/2110.13900/) (2021)
- [Autoregressive Image Generation using Residual Quantization](https://mlsanity.com/paper/2203.01941/) (2022)
- [FastSpeech 2: Fast and High-Quality End-to-End Text to Speech](https://mlsanity.com/paper/2006.04558/) (2020)
- [UTMOS: UTokyo-SaruLab System for VoiceMOS Challenge 2022](https://mlsanity.com/paper/2204.02152/) (2022)
- [Style Tokens: Unsupervised Style Modeling, Control and Transfer in End-to-End Speech Synthesis](https://mlsanity.com/paper/1803.09017/) (2018)
- [BigVGAN: A Universal Neural Vocoder with Large-Scale Training](https://mlsanity.com/paper/2206.04658/) (2022)
- [Towards End-to-End Prosody Transfer for Expressive Speech Synthesis with Tacotron](https://mlsanity.com/paper/1803.09047/) (2018)
- [Emotional Voice Conversion: Theory, Databases and ESD](https://mlsanity.com/paper/2105.14762/) (2021)
- [Meta-StyleSpeech : Multi-Speaker Adaptive Text-to-Speech Generation](https://mlsanity.com/paper/2106.03153/) (2021)
- [Restructuring Vector Quantization with the Rotation Trick](https://mlsanity.com/paper/2410.06424/) (2024)
- [Not All Image Regions Matter: Masked Vector Quantization for Autoregressive Image Generation](https://mlsanity.com/paper/2305.13607/) (2023)
- [EmoSphere-TTS: Emotional Style and Intensity Modeling via Spherical Emotion Vector for Controllable Emotional Text-to-Speech](https://mlsanity.com/paper/2406.07803/) (2024)
- [Cross-speaker emotion disentangling and transfer for end-to-end speech synthesis](https://mlsanity.com/paper/2109.06733/) (2021)
- [TCSinger: Zero-Shot Singing Voice Synthesis with Style Transfer and Multi-Level Style Control](https://mlsanity.com/paper/2409.15977/) (2024)
- [SyntaSpeech: Syntax-Aware Generative Adversarial Text-to-Speech](https://mlsanity.com/paper/2204.11792/) (2022)
- [QI-TTS: Questioning Intonation Control for Emotional Speech Synthesis](https://mlsanity.com/paper/2303.07682/) (2023)

## Built on by (most cited first, 1 of 1)

- [DiVeQ: Differentiable Vector Quantization Using the Reparameterization Trick](https://mlsanity.com/paper/2509.26469/) (2025)

## Abstract (arXiv)

Recent advances in expressive text-to-speech (TTS) have introduced diverse methods based on style embedding extracted from reference speech. However, synthesizing high-quality expressive speech remains challenging. We propose Spotlight-TTS, which exclusively emphasizes style via voiced-aware style extraction and style direction adjustment. Voiced-aware style extraction focuses on voiced regions highly related to style while maintaining continuity across different speech regions to improve expressiveness. We adjust the direction of the extracted style for optimal integration into the TTS model, which improves speech quality. Experimental results demonstrate that Spotlight-TTS achieves superior performance compared to baseline models in terms of expressiveness, overall speech quality, and style transfer capability. Our audio samples are publicly available.
