# Music for All: Representational Bias and Cross-Cultural Adaptability of Music Generation Models

arXiv: https://arxiv.org/abs/2502.07328 · HTML: https://mlsanity.com/paper/2502.07328/

## Key facts

- Cited by 4 papers in the map (data through 14 Oct 2026).
- Builds on 18 of its 41 references that are in the map.
- First posted on arXiv 11 Feb 2025.

## Builds on (most cited first, 18 of 18)

- [U-Net: Convolutional Networks for Biomedical Image Segmentation](https://mlsanity.com/paper/1505.04597/) (2015)
- [LoRA: Low-Rank Adaptation of Large Language Models](https://mlsanity.com/paper/2106.09685/) (2021)
- [Parameter-Efficient Transfer Learning for NLP](https://mlsanity.com/paper/1902.00751/) (2019)
- [Chatbot Arena: An Open Platform for Evaluating LLMs by Human Preference](https://mlsanity.com/paper/2403.04132/) (2024)
- [The State and Fate of Linguistic Diversity and Inclusion in the NLP World](https://mlsanity.com/paper/2004.09095/) (2020)
- [PANNs: Large-Scale Pretrained Audio Neural Networks for Audio Pattern Recognition](https://mlsanity.com/paper/1912.10211/) (2019)
- [Jukebox: A Generative Model for Music](https://mlsanity.com/paper/2005.00341/) (2020)
- [Compacter: Efficient Low-Rank Hypercomplex Adapter Layers](https://mlsanity.com/paper/2106.04647/) (2021)
- [AdapterHub: A Framework for Adapting Transformers](https://mlsanity.com/paper/2007.07779/) (2020)
- [Simple, Scalable Adaptation for Neural Machine Translation](https://mlsanity.com/paper/1909.08478/) (2019)
- [Noise2Music: Text-conditioned Music Generation with Diffusion Models](https://mlsanity.com/paper/2302.03917/) (2023)
- [MuseGAN: Multi-track Sequential Generative Adversarial Networks for Symbolic Music Generation and Accompaniment](https://mlsanity.com/paper/1709.06298/) (2017)
- [Mustango: Toward Controllable Text-to-Music Generation](https://mlsanity.com/paper/2311.08355/) (2023)
- [JEN-1: Text-Guided Universal Music Generation with Omnidirectional Diffusion Models](https://mlsanity.com/paper/2308.04729/) (2023)
- [Joint Audio and Symbolic Conditioning for Temporally Controlled Text-to-Music Generation](https://mlsanity.com/paper/2406.10970/) (2024)
- [Arrange, Inpaint, and Refine: Steerable Long-term Music Audio Generation and Editing via Content-based Controls](https://mlsanity.com/paper/2402.09508/) (2024)
- [Instruct-MusicGen: Unlocking Text-to-Music Editing for Music Language Models via Instruction Tuning](https://mlsanity.com/paper/2405.18386/) (2024)
- [MusiConGen: Rhythm and Chord Control for Transformer-Based Text-to-Music Generation](https://mlsanity.com/paper/2407.15060/) (2024)

## Built on by (most cited first, 4 of 4)

- [Opening Musical Creativity? Embedded Ideologies in Generative-AI Music Systems](https://mlsanity.com/paper/2508.08805/) (2025)
- [Cross-Cultural Bias in Mel-Scale Representations: Evidence and Alternatives from Speech and Music](https://mlsanity.com/paper/2604.10503/) (2026)
- [Persian MusicGen: A Large-Scale Dataset and Culturally-Aware Generative Model for Persian Music](https://mlsanity.com/paper/2605.14765/) (2026)
- [Exploring LLMs for South Asian Music Understanding and Generation](https://mlsanity.com/paper/2606.05522/) (2026)

## Abstract (arXiv)

The advent of Music-Language Models has greatly enhanced the automatic music generation capability of AI systems, but they are also limited in their coverage of the musical genres and cultures of the world. We present a study of the datasets and research papers for music generation and quantify the bias and under-representation of genres. We find that only 5.7% of the total hours of existing music datasets come from non-Western genres, which naturally leads to disparate performance of the models across genres. We then investigate the efficacy of Parameter-Efficient Fine-Tuning (PEFT) techniques in mitigating this bias. Our experiments with two popular models -- MusicGen and Mustango, for two underrepresented non-Western music traditions -- Hindustani Classical and Turkish Makam music, highlight the promises as well as the non-triviality of cross-genre adaptation of music through small datasets, implying the need for more equitable baseline music-language models that are designed for cross-cultural transfer learning.