# Exploratory Study Of Human-AI Interaction For Hindustani Music

arXiv: https://arxiv.org/abs/2411.13846 · HTML: https://mlsanity.com/paper/2411.13846/

## Key facts

- No citing papers in the map yet (data through 14 Oct 2026).
- Builds on 12 of its 31 references that are in the map.
- First posted on arXiv 21 Nov 2024.

## Builds on (most cited first, 12 of 12)

- [Language Models are Few-Shot Learners](https://mlsanity.com/paper/2005.14165/) (2020)
- [Classifier-Free Diffusion Guidance](https://mlsanity.com/paper/2207.12598/) (2022)
- [Adding Conditional Control to Text-to-Image Diffusion Models](https://mlsanity.com/paper/2302.05543/) (2023)
- [SDEdit: Guided Image Synthesis and Editing with Stochastic Differential Equations](https://mlsanity.com/paper/2108.01073/) (2021)
- [Jukebox: A Generative Model for Music](https://mlsanity.com/paper/2005.00341/) (2020)
- [Gradio: Hassle-Free Sharing and Testing of ML Models in the Wild](https://mlsanity.com/paper/1906.02569/) (2019)
- [Music ControlNet: Multiple Time-varying Controls for Music Generation](https://mlsanity.com/paper/2311.07069/) (2023)
- [Iterative α-(de)Blending: a Minimalist Deterministic Diffusion Model](https://mlsanity.com/paper/2305.03486/) (2023)
- [Counterpoint by Convolution](https://mlsanity.com/paper/1903.07227/) (2019)
- [Latent Constraints: Learning to Generate Conditionally from Unconditional Generative Models](https://mlsanity.com/paper/1711.05772/) (2017)
- [Continuous descriptor-based control for deep audio synthesis](https://mlsanity.com/paper/2302.13542/) (2023)
- [Hierarchical Generative Modeling of Melodic Vocal Contours in Hindustani Classical Music](https://mlsanity.com/paper/2408.12658/) (2024)

## Abstract (arXiv)

This paper presents a study of participants interacting with and using GaMaDHaNi, a novel hierarchical generative model for Hindustani vocal contours. To explore possible use cases in human-AI interaction, we conducted a user study with three participants, each engaging with the model through three predefined interaction modes. Although this study was conducted "in the wild"- with the model unadapted for the shift from the training data to real-world interaction - we use it as a pilot to better understand the expectations, reactions, and preferences of practicing musicians when engaging with such a model. We note their challenges as (1) the lack of restrictions in model output, and (2) the incoherence of model output. We situate these challenges in the context of Hindustani music and aim to suggest future directions for the model design to address these gaps.