# Diffusion Attack: Leveraging Stable Diffusion for Naturalistic Image Attacking

arXiv: https://arxiv.org/abs/2403.14778 · HTML: https://mlsanity.com/paper/2403.14778/

## Key facts

- No citing papers in the map yet (data through 14 Oct 2026).
- Placed in Robustness, privacy and adversarial aspects, one of 14 directions in Diffusion models.
- Builds on 5 of its 7 references that are in the map.
- First posted on arXiv 21 Mar 2024.

## Placed in

- Diffusion models / [Robustness, privacy and adversarial aspects](https://mlsanity.com/diffusion/robustness-privacy-and-adversarial-aspects/)

## Builds on (most cited first, 5 of 5)

- [NIMA: Neural Image Assessment](https://mlsanity.com/paper/1709.05424/) (2017)
- [TOPIQ: A Top-down Approach from Semantics to Distortions for Image Quality Assessment](https://mlsanity.com/paper/2308.03060/) (2023)
- [No-Reference Image Quality Assessment via Transformers, Relative Ranking, and Self-Consistency](https://mlsanity.com/paper/2108.06858/) (2021)
- [SLAP: Improving Physical Adversarial Examples with Short-Lived Adversarial Perturbations](https://mlsanity.com/paper/2007.04137/) (2020)
- [Physical Adversarial Attacks on Deep Neural Networks for Traffic Sign Recognition: A Feasibility Study](https://mlsanity.com/paper/2302.13570/) (2023)

## Abstract (arXiv)

In Virtual Reality (VR), adversarial attack remains a significant security threat. Most deep learning-based methods for physical and digital adversarial attacks focus on enhancing attack performance by crafting adversarial examples that contain large printable distortions that are easy for human observers to identify. However, attackers rarely impose limitations on the naturalness and comfort of the appearance of the generated attack image, resulting in a noticeable and unnatural attack. To address this challenge, we propose a framework to incorporate style transfer to craft adversarial inputs of natural styles that exhibit minimal detectability and maximum natural appearance, while maintaining superior attack capabilities.
