# An Exploratory Study on Perceptual Spaces of the Singing Voice

arXiv: https://arxiv.org/abs/2111.08196 · HTML: https://mlsanity.com/paper/2111.08196/

## Key facts

- Cited by 3 papers in the map (data through 14 Oct 2026).
- First posted on arXiv 16 Nov 2021.

## Built on by (most cited first, 3 of 3)

- [SampleMatch: Drum Sample Retrieval by Musical Context](https://mlsanity.com/paper/2208.01141/) (2022)
- [Xi-Net: Transformer Based Seismic Waveform Reconstructor](https://mlsanity.com/paper/2406.16932/) (2024)
- ["Melatonin": A Case Study on AI-induced Musical Style](https://mlsanity.com/paper/2208.08968/) (2022)

## Abstract (arXiv)

Sixty participants provided dissimilarity ratings between various singing techniques. Multidimensional scaling, class averaging and clustering techniques were used to analyse timbral spaces and how they change between different singers, genders and registers. Clustering analysis showed that ground-truth similarity and silhouette scores that were not significantly different between gender or register conditions, while similarity scores were positively correlated with participants' instrumental abilities and task comprehension. Participant feedback showed how a revised study design might mitigate noise in our data, leading to more detailed statistical results. Timbre maps and class distance analysis showed us which singing techniques remained similar to one another across gender and register conditions. This research provides insight into how the timbre space of singing changes under different conditions, highlights the subjectivity of perception between participants, and provides generalised timbre maps for regularisation in machine learning.
