# SING: Symbol-to-Instrument Neural Generator

arXiv: https://arxiv.org/abs/1810.09785 · HTML: https://mlsanity.com/paper/1810.09785/

## Key facts

- Cited by 23 papers in the map (data through 14 Oct 2026).
- First posted on arXiv 23 Oct 2018.

## Built on by (most cited first, 23 of 23)

- [RAVE: A variational autoencoder for fast and high-quality neural audio synthesis](https://mlsanity.com/paper/2111.05011/) (2021)
- [Learning Neural Acoustic Fields](https://mlsanity.com/paper/2204.00628/) (2022)
- [Multi-instrument Music Synthesis with Spectrogram Diffusion](https://mlsanity.com/paper/2206.05408/) (2022)
- [MIDI-DDSP: Detailed Control of Musical Performance via Hierarchical Modeling](https://mlsanity.com/paper/2112.09312/) (2021)
- [MusicRL: Aligning Music Generation to Human Preferences](https://mlsanity.com/paper/2402.04229/) (2024)
- [Real Acoustic Fields: An Audio-Visual Room Acoustics Dataset and Benchmark](https://mlsanity.com/paper/2403.18821/) (2024)
- [Energy Consumption of Deep Generative Audio Models](https://mlsanity.com/paper/2107.02621/) (2021)
- [Deep Performer: Score-to-Audio Music Performance Synthesis](https://mlsanity.com/paper/2202.06034/) (2022)
- [HyperSound: Generating Implicit Neural Representations of Audio Signals with Hypernetworks](https://mlsanity.com/paper/2211.01839/) (2022)
- [Hypernetworks build Implicit Neural Representations of Sounds](https://mlsanity.com/paper/2302.04959/) (2023)
- [Deep Integrated Explanations](https://mlsanity.com/paper/2310.15368/) (2023)
- [Audio representations for deep learning in sound synthesis: A review](https://mlsanity.com/paper/2201.02490/) (2022)
- [NeRAF: 3D Scene Infused Neural Radiance and Acoustic Fields](https://mlsanity.com/paper/2405.18213/) (2024)
- [Streamable Neural Audio Synthesis With Non-Causal Convolutions](https://mlsanity.com/paper/2204.07064/) (2022)
- [DiffMoog: a Differentiable Modular Synthesizer for Sound Matching](https://mlsanity.com/paper/2401.12570/) (2024)
- [Deep Recurrent Encoder: A scalable end-to-end network to model brain signals](https://mlsanity.com/paper/2103.02339/) (2021)
- [TokenSynth: A Token-based Neural Synthesizer for Instrument Cloning and Text-to-Instrument](https://mlsanity.com/paper/2502.08939/) (2025)
- [Learning to Explain: A Model-Agnostic Framework for Explaining Black Box Models](https://mlsanity.com/paper/2310.16584/) (2023)
- [Challenges in creative generative models for music: a divergence maximization perspective](https://mlsanity.com/paper/2211.08856/) (2022)
- [The ethical ambiguity of AI data enrichment: Measuring gaps in research ethics norms and practices](https://mlsanity.com/paper/2306.01800/) (2023)
- [A Survey of Music Generation in the Context of Interaction](https://mlsanity.com/paper/2402.15294/) (2024)
- [Conditional variational autoencoder to improve neural audio synthesis for polyphonic music sound](https://mlsanity.com/paper/2211.08715/) (2022)
- [Cellular Network Speech Enhancement: Removing Background and Transmission Noise](https://mlsanity.com/paper/2301.09027/) (2023)

## Abstract (arXiv)

Recent progress in deep learning for audio synthesis opens the way to models that directly produce the waveform, shifting away from the traditional paradigm of relying on vocoders or MIDI synthesizers for speech or music generation. Despite their successes, current state-of-the-art neural audio synthesizers such as WaveNet and SampleRNN suffer from prohibitive training and inference times because they are based on autoregressive models that generate audio samples one at a time at a rate of 16kHz. In this work, we study the more computationally efficient alternative of generating the waveform frame-by-frame with large strides. We present SING, a lightweight neural audio synthesizer for the original task of generating musical notes given desired instrument, pitch and velocity. Our model is trained end-to-end to generate notes from nearly 1000 instruments with a single decoder, thanks to a new loss function that minimizes the distances between the log spectrograms of the generated and target waveforms. On the generalization task of synthesizing notes for pairs of pitch and instrument not seen during training, SING produces audio with significantly improved perceptual quality compared to a state-of-the-art autoencoder based on WaveNet as measured by a Mean Opinion Score (MOS), and is about 32 times faster for training and 2, 500 times faster for inference.
