{"total":32,"rows":[{"id":"2309.07314","title":"AudioSR: Versatile Audio Super-resolution at Scale","created":"2023-09-13","cited_by_count":39,"area":null},{"id":"2405.18386","title":"Instruct-MusicGen: Unlocking Text-to-Music Editing for Music Language Models via Instruction Tuning","created":"2024-05-28","cited_by_count":15,"area":null},{"id":"2404.16969","title":"COCOLA: Coherence-Oriented Contrastive Learning of Musical Audio Representations","created":"2024-04-25","cited_by_count":14,"area":null},{"id":"2505.19663","title":"A Comprehensive Real-World Assessment of Audio Watermarking Algorithms: Will They Survive Neural Codecs?","created":"2025-05-26","cited_by_count":13,"area":null},{"id":"2409.08514","title":"Apollo: Band-sequence Modeling for High-Quality Audio Restoration","created":"2024-09-13","cited_by_count":8,"area":null},{"id":"2406.18747","title":"A Stem-Agnostic Single-Decoder System for Music Source Separation Beyond Four Stems","created":"2024-06-26","cited_by_count":7,"area":null},{"id":"2505.21827","title":"Music Source Restoration","created":"2025-05-27","cited_by_count":5,"area":null},{"id":"2310.03480","title":"The ICASSP SP Cadenza Challenge: Music Demixing/Remixing for Hearing Aids","created":"2023-10-05","cited_by_count":3,"area":null},{"id":"2507.01339","title":"User-guided Generative Source Separation","created":"2025-07-02","cited_by_count":2,"area":null},{"id":"2509.14052","title":"AnyAccomp: Generalizable Accompaniment Generation via Quantized Melodic Bottleneck","created":"2025-09-17","cited_by_count":2,"area":null},{"id":"2601.02357","title":"DARC: Drum accompaniment generation with fine-grained rhythm control","created":"2026-01-05","cited_by_count":2,"area":null},{"id":"2409.05095","title":"The first Cadenza challenges: using machine learning competitions to improve music for listeners with a hearing loss","created":"2024-09-08","cited_by_count":1,"area":null},{"id":"2410.20773","title":"An Ensemble Approach to Music Source Separation: A Comparative Analysis of Conventional and Hierarchical Stem Separation","created":"2024-10-28","cited_by_count":1,"area":null},{"id":"2510.23530","title":"Learning Linearity in Audio Consistency Autoencoders via Implicit Regularization","created":"2025-10-27","cited_by_count":1,"area":null},{"id":"2601.04343","title":"Summary of The Inaugural Music Source Restoration Challenge","created":"2026-01-07","cited_by_count":1,"area":null},{"id":"2602.09891","title":"Stemphonic: All-at-once Flexible Multi-stem Music Generation","created":"2026-02-10","cited_by_count":1,"area":null},{"id":"2408.03588","title":"Facing the Music: Tackling Singing Voice Separation in Cinematic Audio Source Separation","created":"2024-08-07","cited_by_count":0,"area":null},{"id":"2411.19806","title":"Zero-shot Musical Stem Retrieval with Joint-Embedding Predictive Architectures","created":"2024-11-29","cited_by_count":0,"area":null},{"id":"2502.16584","title":"Audio-FLAN: An Instruction-Following Dataset for Unified Audio Understanding and Generation of Speech, Music, and Sound","created":"2025-02-23","cited_by_count":0,"area":null},{"id":"2509.25296","title":"Learning Relationships Between Separate Audio Tracks for Creative Applications","created":"2025-09-29","cited_by_count":0,"area":null},{"id":"2512.15532","title":"A Conditioned UNet for Music Source Separation","created":"2025-12-17","cited_by_count":0,"area":null},{"id":"2603.04032","title":"Multi-Stage Music Source Restoration with BandSplit-RoFormer Separation and HiFi++ GAN","created":"2026-03-04","cited_by_count":0,"area":null},{"id":"2605.10256","title":"A Cold Diffusion Approach for Percussive Dereverberation","created":"2026-05-11","cited_by_count":0,"area":null},{"id":"2606.27320","title":"Elastic Time: Dynamic Frame Rate Bottlenecks for Neural Audio Coding","created":"2026-06-25","cited_by_count":0,"area":null},{"id":"2607.23395","title":"Music-Source-Separation-Training (MSST): A Unified Framework for Training and Evaluating Music Demixing Models","created":"2026-07-25","cited_by_count":0,"area":null},{"id":"2608.07285","title":"How Much AI Is in This Track? Quantifying the Proportion of AI-Generated Stems in Hybrid Music Mixtures","created":"2026-08-07","cited_by_count":0,"area":null},{"id":"2609.07226","title":"Iterative Audio Separation with Mixture Consistency via MIMO Model Extension","created":"2026-09-07","cited_by_count":0,"area":null},{"id":"2609.14344","title":"AURA: Unified Multimodal Framework for Conversational Music Editing","created":"2026-09-13","cited_by_count":0,"area":null},{"id":"2609.30540","title":"Don't CLAP: Are Music-Text Models Bag-of-Words?","created":"2026-09-24","cited_by_count":0,"area":null},{"id":"2609.31652","title":"Open-Qwen-Music: An Auditable Framework for LLM-Based Music Composition and Diffusion Rendering","created":"2026-09-14","cited_by_count":0,"area":null},{"id":"2609.32755","title":"SAGE: Semantic Audio Generative Encoder","created":"2026-09-26","cited_by_count":0,"area":null},{"id":"2609.34931","title":"JazzSAMBA: A Synchronous and Asynchronous Multi-take Band Audio Dataset of Jazz Standards for Live Music Models","created":"2026-09-28","cited_by_count":0,"area":null}],"next_cursor":null}